{"id":46049,"date":"2020-12-04T13:58:39","date_gmt":"2020-12-04T11:58:39","guid":{"rendered":"https:\/\/fnt.ro\/2020\/?p=46049"},"modified":"2020-12-04T13:58:39","modified_gmt":"2020-12-04T11:58:39","slug":"savas-patsalidis-grecia-redactor-sef-critical-stages-scenes-critiques-revista-asociatiei-internationale-a-criticilor-de-teatru-despre-fnt-2020","status":"publish","type":"post","link":"https:\/\/fnt.ro\/2020\/savas-patsalidis-grecia-redactor-sef-critical-stages-scenes-critiques-revista-asociatiei-internationale-a-criticilor-de-teatru-despre-fnt-2020\/","title":{"rendered":"Savas Patsalidis (Grecia), Redactor-\u015fef \u201eCritical Stages”\/\u201eSc\u00e8nes critiques\u201d, revista Asocia\u0163iei Interna\u0163ionale a Criticilor de Teatru, despre FNT 2020"},"content":{"rendered":"

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fnt.ro<\/a><\/h6><\/div>
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Dup\u0103 at\u00e2tea vizite \u00een Rom\u00e2nia, nu m\u0103 mai simt turist. Peste ani, mi s-au oferit ocazii de a studia cultura, arta, istoria, poporul acestei \u021b\u0103ri. Am fost de la bun \u00eenceput foarte uimit de bog\u0103\u021bia vie\u021bii teatrale, \u00een mod special de vibrantul circuit festivalier \u0219i disponibilitatea de a implementa o abordare \u00eendr\u0103znea\u021b\u0103, plin\u0103 de imagina\u021bie, \u00een ceea ce prive\u0219te g\u0103zduirea sau chiar crearea unei produc\u021bii, indiferent c\u0103 e vorba de un spectacol pe o scen\u0103 mic\u0103, o reprezenta\u021bie de strad\u0103 sau una \u00eentr-o sal\u0103 cu 1000 de scaune \u00eembr\u0103cate \u00een catifea.<\/h3>\n<\/div>
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4 decembrie 2020<\/span>\u00a0 Stiri<\/a><\/span><\/p>\n<\/div>

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Am urm\u0103rit traiectoria Festivalului Na\u021bional de Teatru de la Bucure\u0219ti pe parcursul mai multor ani. Mi se pare interesant cum s-a transformat dintr-un eveniment local \u00een unul interna\u021bional: angajant, promi\u021b\u0103tor, deschis, provocator, ospitalier cu ceea ce e nou \u0219i proasp\u0103t. Am v\u0103zut produc\u021bii memorabile la Teatrul Na\u021bional “Radu Stanca”, la Teatrul Bulandra, spectacole semnate de Purc\u0103rete, \u0218erban sau de arti\u0219ti tineri, emergen\u021bi; am vizitat expozi\u021bii, am v\u0103zut instala\u021bii, am participat la conferin\u021be \u0219i mese rotunde.<\/p>\n

Peste ani, Festivalul Na\u021bional de Teatru s-a dezvoltat, devenind un forum artistic important pentru admiratori ai teatrului din \u00eentreaga Europ\u0103, o punte ce consolideaz\u0103 dialogul \u00eentre local \u0219i global.<\/p>\n

Glo-c-al<\/strong><\/em>: cuv\u00e2ntul care, \u00een mintea mea, descrie cel mai bine caracterul Festivalului Na\u021bional de Teatru.<\/p>\n

Chiar dac\u0103 aceast\u0103 cale post-pandemic\u0103 s-ar putea dovedi plin\u0103 de obstacole, Festivalul Na\u021bional de Teatru a dovedit c\u0103 are efervescen\u021ba, talentul \u0219i experien\u021ba necesare pentru a prospera.<\/p>\n

Transmit ur\u0103ri de bine cu ocazia celei de-a 30-a anivers\u0103ri.<\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

Savas Patsalidis (Grecia)<\/strong>
\nProfesor universitar, Aristotle University
\nRedactor \u015fef \u201eCritical Stages”\/\u201eSc\u00e8nes critiques\u201d, revista Asocia\u0163iei Interna\u0163ionale a Criticilor de Teatru<\/p>\n<\/div>

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Dup\u0103 at\u00e2tea vizite \u00een Rom\u00e2nia, nu m\u0103 mai simt turist. Peste ani, mi s-au oferit ocazii de a studia cultura, arta, istoria, poporul acestei \u021b\u0103ri. Am fost de la bun \u00eenceput foarte uimit de bog\u0103\u021bia vie\u021bii teatrale, \u00een mod special de vibrantul circuit festivalier \u0219i disponibilitatea de a implementa o abordare \u00eendr\u0103znea\u021b\u0103, plin\u0103 de imagina\u021bie, \u00een ceea ce prive\u0219te g\u0103zduirea sau chiar crearea unei produc\u021bii, indiferent c\u0103 e vorba de un spectacol pe o scen\u0103 mic\u0103, o reprezenta\u021bie de strad\u0103 sau una \u00eentr-o sal\u0103 cu 1000 de scaune \u00eembr\u0103cate \u00een catifea.<\/p>\n","protected":false},"author":2,"featured_media":46050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[10751],"_links":{"self":[{"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/posts\/46049"}],"collection":[{"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/comments?post=46049"}],"version-history":[{"count":0,"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/posts\/46049\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/media\/46050"}],"wp:attachment":[{"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/media?parent=46049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/categories?post=46049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fnt.ro\/2020\/wp-json\/wp\/v2\/tags?post=46049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}