25 November | 22:30 – www.fnt.ro<\/a><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tPhoto Gallery ( 7 )<\/a><\/li><\/ul>\n<\/div><\/div><\/div>The show has been available<\/span> for online viewing from Wednesday 25 November 22:30 till Friday 27 November 22:30.<\/em><\/h3>\nA mother and her son, together but fighting each other, in a captivating and alert dialogue about love, selfishness, morality. Manlio Santanelli\u2019s play gives us the opportunity to spend an evening at the court of a queen of the Romanian stage: Olga Tudorache.<\/h3>\n<\/h3>\n<\/div>[same_day_events_link]<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t<\/span><\/p>\n<\/div>Translated by: Florian Potra<\/strong><\/p>\nCast:<\/p>\nRegina: Olga Tudorache\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\nAlfredo: Marius Bodochi<\/strong><\/p>\nDirected and musically illustrated by: Gelu Colceag<\/strong><\/p>\nSet design by: \u00a0\u0218tefania Cenean<\/strong><\/p>\nTVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
[same_day_events_link]<\/p>\n<\/div><\/div><\/div><\/div>
<\/span><\/p>\n<\/div>Translated by: Florian Potra<\/strong><\/p>\nCast:<\/p>\nRegina: Olga Tudorache\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\nAlfredo: Marius Bodochi<\/strong><\/p>\nDirected and musically illustrated by: Gelu Colceag<\/strong><\/p>\nSet design by: \u00a0\u0218tefania Cenean<\/strong><\/p>\nTVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Translated by: Florian Potra<\/strong><\/p>\nCast:<\/p>\nRegina: Olga Tudorache\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\nAlfredo: Marius Bodochi<\/strong><\/p>\nDirected and musically illustrated by: Gelu Colceag<\/strong><\/p>\nSet design by: \u00a0\u0218tefania Cenean<\/strong><\/p>\nTVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Cast:<\/p>\n
Regina: Olga Tudorache\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\nAlfredo: Marius Bodochi<\/strong><\/p>\nDirected and musically illustrated by: Gelu Colceag<\/strong><\/p>\nSet design by: \u00a0\u0218tefania Cenean<\/strong><\/p>\nTVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Alfredo: Marius Bodochi<\/strong><\/p>\nDirected and musically illustrated by: Gelu Colceag<\/strong><\/p>\nSet design by: \u00a0\u0218tefania Cenean<\/strong><\/p>\nTVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Directed and musically illustrated by: Gelu Colceag<\/strong><\/p>\nSet design by: \u00a0\u0218tefania Cenean<\/strong><\/p>\nTVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Set design by: \u00a0\u0218tefania Cenean<\/strong><\/p>\nTVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
TVR Team<\/u><\/strong><\/p>\nAdapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Adapted for TV and directed by: Gelu Colceag<\/strong><\/p>\nSet design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Set design: Dana Moraru<\/strong><\/p>\nDOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
DOP: Cristian Stoian<\/strong><\/p>\nProducers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Producers: Ruxandra \u021auchel, Zoe B\u0103lan<\/strong><\/p>\nDuration<\/u>: 2h 30 mins<\/p>\nProducer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Duration<\/u>: 2h 30 mins<\/p>\n
Producer: National Theatre Bucharest, 1997<\/strong><\/p>\nFilmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Filmed for TVR, 2010<\/strong><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tManlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>\n\t\t
Manlio Santanelli, \u00a0one of the most important contemporary Italian dramatists, a gifted continuator of Eduardo De Filippo, brings two characters on stage, the Queen, an authoritarian and possesive mother and her son, Alfredo, a neurotic, failed journalist. Alfredo comes to the house of his sick mother to, theoretically, care for her. In fact, be is driven by a hidden and cynical intention of writing a\u00a0 sensational reportage, putting the last days and the death of the old lady on paper, in all detail, in order to save his carreer. Between the two protagonists, a strange, tense relationship persists, a certain animosity and verbal aggressivity that is gradually relieved under the burden of\u00a0 memories but gets tragic accents in the end.<\/p>\n<\/div>
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