fnt.ro<\/a><\/h6><\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t![\"\"](\"https:\/\/fnt.ro\/2021\/wp-content\/uploads\/2021\/11\/carti-gazete-1.jpg\")
\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\n<\/div><\/div><\/div>FNT 31 a adus laolalt\u0103, democratic \u015fi elitist, o selec\u0163ie interesant\u0103 de spectacole noi, dar \u015fi \u00eenregistr\u0103ri de arhiv\u0103, argument\u00e2ndu-\u015fi astfel tema aleas\u0103, dialogul dintre crea\u0163ie \u015fi re-crea\u0163ie.<\/h3>\n\n\n<\/h3>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t3 decembrie 2021<\/span>\u00a0 FNT \u00een Pres\u0103<\/a><\/span><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tTocmai s-a \u00eencheiat edi\u0163ia din acest an a Festivalului Na\u0163ional de Teatru. \u015ei, \u00een spiritul ludic al refrenului compus de Ada Milea, chiar dac\u0103 nu am respirat \u00een aceea\u015fi sal\u0103, chiar dac\u0103 pandemia ne-a limitat \u00eent\u00e2lnirile teatrale la lumea virtual\u0103, ne-am bucurat \u201es\u0103 vedem, s\u0103 revedem \u015fi s\u0103 re-revedem…\u00a0Ce? Spectacole vrem<\/em>. \u201eCum v\u0103 place\u201d, ar fi spus Shakespeare, fiindc\u0103 FNT 31 a adus laolalt\u0103, democratic \u015fi elitist, o selec\u0163ie interesant\u0103 de spectacole noi, dar \u015fi \u00eenregistr\u0103ri de arhiv\u0103, argument\u00e2ndu-\u015fi astfel tema aleas\u0103, dialogul dintre crea\u0163ie \u015fi re-crea\u0163ie. O \u00eent\u00e2lnire privilegiat\u0103 la care a contribuit sec\u0163iunea special\u0103 dedicat\u0103 c\u0103r\u0163ii de teatru. \u201eC\u0103r\u021bi, Gazete, Publica\u021bii\u201d a completat spectacolul cu memoria lui cultural\u0103, p\u0103strat\u0103 prin scris. Teatrul \u015fi memoria lui pot c\u0103p\u0103ta diverse chipuri, de la relatarea realist\u0103 la transfigurarea fic\u0163ional\u0103. M\u0103 voi opri, de aceast\u0103 dat\u0103, asupra portretelor prin care teatrul \u00ee\u015fi imortalizeaz\u0103 \u00een timp propriul chip. \u201ePortretul e la mod\u0103\u201d, noteaz\u0103 regizorul Andrei \u015eerban \u00een prefa\u0163a c\u0103r\u0163ii recent lansat\u0103 la Polirom,\u00a0Niciodat\u0103 singur<\/em>. Portretul este, \u00een expresia rafinatului eseist George Banu, datoria de onoare a\u00a0martorului Horatio,<\/em>\u00a0care \u00ee\u015fi zugr\u0103ve\u015fte prietenii, regizori \u015fi actori, \u201epentru a conserva mo\u015ftenirea de care m\u0103 simt responsabil\u201d. Pe fondul izol\u0103rii \u00een pandemie, departe de s\u0103lile arhipline \u00een a\u015fteptarea premierelor \u015fi de degaj\u0103rile \u201ecorale\u201d de energie \u00een repeti\u0163ii, criticul \u015fi regizorul ne ofer\u0103 spre delectare o galerie impresionant\u0103 de portrete.<\/p>\nCiti\u021bi integral \u00een Revista<\/a> 22<\/a><\/strong>.<\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":50402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[11015],"tags":[],"yoast_head":"\nTeatrul \u015fi c\u0103r\u0163ile lui. Efectul de bumerang al scrisului (Revista 22) - Edi\u021bia 2021<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fnt.ro\/2021\/teatrul-si-cartile-lui-efectul-de-bumerang-al-scrisului-revista-22\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teatrul \u015fi c\u0103r\u0163ile lui. 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\n<\/div>FNT 31 a adus laolalt\u0103, democratic \u015fi elitist, o selec\u0163ie interesant\u0103 de spectacole noi, dar \u015fi \u00eenregistr\u0103ri de arhiv\u0103, argument\u00e2ndu-\u015fi astfel tema aleas\u0103, dialogul dintre crea\u0163ie \u015fi re-crea\u0163ie.<\/h3>\n\n\n<\/h3>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t3 decembrie 2021<\/span>\u00a0 FNT \u00een Pres\u0103<\/a><\/span><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tTocmai s-a \u00eencheiat edi\u0163ia din acest an a Festivalului Na\u0163ional de Teatru. \u015ei, \u00een spiritul ludic al refrenului compus de Ada Milea, chiar dac\u0103 nu am respirat \u00een aceea\u015fi sal\u0103, chiar dac\u0103 pandemia ne-a limitat \u00eent\u00e2lnirile teatrale la lumea virtual\u0103, ne-am bucurat \u201es\u0103 vedem, s\u0103 revedem \u015fi s\u0103 re-revedem…\u00a0Ce? Spectacole vrem<\/em>. \u201eCum v\u0103 place\u201d, ar fi spus Shakespeare, fiindc\u0103 FNT 31 a adus laolalt\u0103, democratic \u015fi elitist, o selec\u0163ie interesant\u0103 de spectacole noi, dar \u015fi \u00eenregistr\u0103ri de arhiv\u0103, argument\u00e2ndu-\u015fi astfel tema aleas\u0103, dialogul dintre crea\u0163ie \u015fi re-crea\u0163ie. O \u00eent\u00e2lnire privilegiat\u0103 la care a contribuit sec\u0163iunea special\u0103 dedicat\u0103 c\u0103r\u0163ii de teatru. \u201eC\u0103r\u021bi, Gazete, Publica\u021bii\u201d a completat spectacolul cu memoria lui cultural\u0103, p\u0103strat\u0103 prin scris. Teatrul \u015fi memoria lui pot c\u0103p\u0103ta diverse chipuri, de la relatarea realist\u0103 la transfigurarea fic\u0163ional\u0103. M\u0103 voi opri, de aceast\u0103 dat\u0103, asupra portretelor prin care teatrul \u00ee\u015fi imortalizeaz\u0103 \u00een timp propriul chip. \u201ePortretul e la mod\u0103\u201d, noteaz\u0103 regizorul Andrei \u015eerban \u00een prefa\u0163a c\u0103r\u0163ii recent lansat\u0103 la Polirom,\u00a0Niciodat\u0103 singur<\/em>. Portretul este, \u00een expresia rafinatului eseist George Banu, datoria de onoare a\u00a0martorului Horatio,<\/em>\u00a0care \u00ee\u015fi zugr\u0103ve\u015fte prietenii, regizori \u015fi actori, \u201epentru a conserva mo\u015ftenirea de care m\u0103 simt responsabil\u201d. Pe fondul izol\u0103rii \u00een pandemie, departe de s\u0103lile arhipline \u00een a\u015fteptarea premierelor \u015fi de degaj\u0103rile \u201ecorale\u201d de energie \u00een repeti\u0163ii, criticul \u015fi regizorul ne ofer\u0103 spre delectare o galerie impresionant\u0103 de portrete.<\/p>\nCiti\u021bi integral \u00een Revista<\/a> 22<\/a><\/strong>.<\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":50402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[11015],"tags":[],"yoast_head":"\nTeatrul \u015fi c\u0103r\u0163ile lui. Efectul de bumerang al scrisului (Revista 22) - Edi\u021bia 2021<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fnt.ro\/2021\/teatrul-si-cartile-lui-efectul-de-bumerang-al-scrisului-revista-22\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teatrul \u015fi c\u0103r\u0163ile lui. 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<\/h3>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t3 decembrie 2021<\/span>\u00a0 FNT \u00een Pres\u0103<\/a><\/span><\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\tTocmai s-a \u00eencheiat edi\u0163ia din acest an a Festivalului Na\u0163ional de Teatru. \u015ei, \u00een spiritul ludic al refrenului compus de Ada Milea, chiar dac\u0103 nu am respirat \u00een aceea\u015fi sal\u0103, chiar dac\u0103 pandemia ne-a limitat \u00eent\u00e2lnirile teatrale la lumea virtual\u0103, ne-am bucurat \u201es\u0103 vedem, s\u0103 revedem \u015fi s\u0103 re-revedem…\u00a0Ce? Spectacole vrem<\/em>. \u201eCum v\u0103 place\u201d, ar fi spus Shakespeare, fiindc\u0103 FNT 31 a adus laolalt\u0103, democratic \u015fi elitist, o selec\u0163ie interesant\u0103 de spectacole noi, dar \u015fi \u00eenregistr\u0103ri de arhiv\u0103, argument\u00e2ndu-\u015fi astfel tema aleas\u0103, dialogul dintre crea\u0163ie \u015fi re-crea\u0163ie. O \u00eent\u00e2lnire privilegiat\u0103 la care a contribuit sec\u0163iunea special\u0103 dedicat\u0103 c\u0103r\u0163ii de teatru. \u201eC\u0103r\u021bi, Gazete, Publica\u021bii\u201d a completat spectacolul cu memoria lui cultural\u0103, p\u0103strat\u0103 prin scris. Teatrul \u015fi memoria lui pot c\u0103p\u0103ta diverse chipuri, de la relatarea realist\u0103 la transfigurarea fic\u0163ional\u0103. M\u0103 voi opri, de aceast\u0103 dat\u0103, asupra portretelor prin care teatrul \u00ee\u015fi imortalizeaz\u0103 \u00een timp propriul chip. \u201ePortretul e la mod\u0103\u201d, noteaz\u0103 regizorul Andrei \u015eerban \u00een prefa\u0163a c\u0103r\u0163ii recent lansat\u0103 la Polirom,\u00a0Niciodat\u0103 singur<\/em>. Portretul este, \u00een expresia rafinatului eseist George Banu, datoria de onoare a\u00a0martorului Horatio,<\/em>\u00a0care \u00ee\u015fi zugr\u0103ve\u015fte prietenii, regizori \u015fi actori, \u201epentru a conserva mo\u015ftenirea de care m\u0103 simt responsabil\u201d. Pe fondul izol\u0103rii \u00een pandemie, departe de s\u0103lile arhipline \u00een a\u015fteptarea premierelor \u015fi de degaj\u0103rile \u201ecorale\u201d de energie \u00een repeti\u0163ii, criticul \u015fi regizorul ne ofer\u0103 spre delectare o galerie impresionant\u0103 de portrete.<\/p>\nCiti\u021bi integral \u00een Revista<\/a> 22<\/a><\/strong>.<\/p>\n<\/div><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":50402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[11015],"tags":[],"yoast_head":"\nTeatrul \u015fi c\u0103r\u0163ile lui. 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3 decembrie 2021<\/span>\u00a0 FNT \u00een Pres\u0103<\/a><\/span><\/p>\n<\/div> Tocmai s-a \u00eencheiat edi\u0163ia din acest an a Festivalului Na\u0163ional de Teatru. \u015ei, \u00een spiritul ludic al refrenului compus de Ada Milea, chiar dac\u0103 nu am respirat \u00een aceea\u015fi sal\u0103, chiar dac\u0103 pandemia ne-a limitat \u00eent\u00e2lnirile teatrale la lumea virtual\u0103, ne-am bucurat \u201es\u0103 vedem, s\u0103 revedem \u015fi s\u0103 re-revedem…\u00a0Ce? Spectacole vrem<\/em>. \u201eCum v\u0103 place\u201d, ar fi spus Shakespeare, fiindc\u0103 FNT 31 a adus laolalt\u0103, democratic \u015fi elitist, o selec\u0163ie interesant\u0103 de spectacole noi, dar \u015fi \u00eenregistr\u0103ri de arhiv\u0103, argument\u00e2ndu-\u015fi astfel tema aleas\u0103, dialogul dintre crea\u0163ie \u015fi re-crea\u0163ie. O \u00eent\u00e2lnire privilegiat\u0103 la care a contribuit sec\u0163iunea special\u0103 dedicat\u0103 c\u0103r\u0163ii de teatru. \u201eC\u0103r\u021bi, Gazete, Publica\u021bii\u201d a completat spectacolul cu memoria lui cultural\u0103, p\u0103strat\u0103 prin scris. Teatrul \u015fi memoria lui pot c\u0103p\u0103ta diverse chipuri, de la relatarea realist\u0103 la transfigurarea fic\u0163ional\u0103. M\u0103 voi opri, de aceast\u0103 dat\u0103, asupra portretelor prin care teatrul \u00ee\u015fi imortalizeaz\u0103 \u00een timp propriul chip. \u201ePortretul e la mod\u0103\u201d, noteaz\u0103 regizorul Andrei \u015eerban \u00een prefa\u0163a c\u0103r\u0163ii recent lansat\u0103 la Polirom,\u00a0Niciodat\u0103 singur<\/em>. Portretul este, \u00een expresia rafinatului eseist George Banu, datoria de onoare a\u00a0martorului Horatio,<\/em>\u00a0care \u00ee\u015fi zugr\u0103ve\u015fte prietenii, regizori \u015fi actori, \u201epentru a conserva mo\u015ftenirea de care m\u0103 simt responsabil\u201d. Pe fondul izol\u0103rii \u00een pandemie, departe de s\u0103lile arhipline \u00een a\u015fteptarea premierelor \u015fi de degaj\u0103rile \u201ecorale\u201d de energie \u00een repeti\u0163ii, criticul \u015fi regizorul ne ofer\u0103 spre delectare o galerie impresionant\u0103 de portrete.<\/p>\n Citi\u021bi integral \u00een Revista<\/a> 22<\/a><\/strong>.<\/p>\n<\/div>