{"id":63957,"date":"2022-10-22T13:32:50","date_gmt":"2022-10-22T11:32:50","guid":{"rendered":"https:\/\/fnt.ro\/2022\/hans-thies-lehmann-si-mostenirea-teatrului-postdramatic-dezbatere\/"},"modified":"2022-11-17T19:37:09","modified_gmt":"2022-11-17T17:37:09","slug":"hans-thies-lehmann-and-the-legacy-of-post-dramatic-theater-debate","status":"publish","type":"post","link":"https:\/\/fnt.ro\/2022\/en\/hans-thies-lehmann-and-the-legacy-of-post-dramatic-theater-debate\/","title":{"rendered":"Hans Thies Lehmann and the legacy of post-dramatic theater (debate)"},"content":{"rendered":"<p><div id=\"blog-header\" class=\"fusion-fullwidth fullwidth-box hundred-percent-fullwidth non-hundred-percent-height-scrolling\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class=\"fusion-builder-row fusion-row \"><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_1  fusion-one-full fusion-column-first fusion-column-last sub-header-fisa 1_1\"  style='margin-top:0px;margin-bottom:20px;'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><p style=\"text-align: center;\">11 November| 11:00 \u2013 ARCUB, Coloane Hall<br \/>\nFREE ADMISSION (limited places available)<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-first first fusion-column-no-min-height 1_2\"  style='margin-top:0px;margin-bottom:0px;width:48%; margin-right: 4%;'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><img width=\"780\" height=\"440\" src=\"https:\/\/fnt.ro\/2022\/wp-content\/uploads\/2022\/10\/afis-fnt-2022-test.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/fnt.ro\/2022\/wp-content\/uploads\/2022\/10\/afis-fnt-2022-test-200x113.jpg 200w, https:\/\/fnt.ro\/2022\/wp-content\/uploads\/2022\/10\/afis-fnt-2022-test-300x169.jpg 300w, https:\/\/fnt.ro\/2022\/wp-content\/uploads\/2022\/10\/afis-fnt-2022-test-400x226.jpg 400w, https:\/\/fnt.ro\/2022\/wp-content\/uploads\/2022\/10\/afis-fnt-2022-test-600x338.jpg 600w, https:\/\/fnt.ro\/2022\/wp-content\/uploads\/2022\/10\/afis-fnt-2022-test-768x433.jpg 768w, https:\/\/fnt.ro\/2022\/wp-content\/uploads\/2022\/10\/afis-fnt-2022-test.jpg 780w\" sizes=\"(max-width: 780px) 100vw, 780px\" \/>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-last second fusion-column-no-min-height 1_2\"  style='margin-top:0px;margin-bottom:0px;width:48%'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><ul id=\"gallery-count\"><li><a class=\"galerie-foto\" href=\"#galerie-foto\">Photo Gallery (  1 )<\/a><\/li><\/ul>\n<\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:25px;margin-bottom:25px;\"><\/div><div class=\"fusion-text\"><h3>&#8220;Lehmann&#8217;s book, Post-Dramatic Theater, was released in 1999 and also quickly translated all around the world, becoming an essential instrument for understanding and analyzing the tendencies of theater present in the second part of the 20. century.&#8221;<\/h3>\n<h3><\/h3>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box post_content nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-top: 30px;'><div class=\"fusion-builder-row fusion-row \"><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_3  fusion-one-third fusion-column-first first 1_3\"  style='margin-top:0px;margin-bottom:20px;width:33.33%;width:calc(33.33% - ( ( 4% ) * 0.3333 ) );margin-right: 4%;'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><p><span class=\"categorie\"><\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-last second 1_2\"  style='margin-top:0px;margin-bottom:20px;width:50%;width:calc(50% - ( ( 4% ) * 0.5 ) );'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 15px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\">\n<\/div><div class=\"fusion-text\"><p>In 2009, when I commissioned the Romanian translation of this book for the NTF, it had already been translated to dozens of languages and had entered the bibliography of theater and performing arts classes in various universities around the world. I had the chance to convince German language and theater specialist Victor Scorade\u021b to join, and the release of the book was joined by a conference on the same topic held by Lehmann at the Bucharest Theater and Film University. Over two decades later from the release of the book and over a decade later from the Romanian translation, the theory of post-dramatic theater has become a milestone for all discussions about contemporary performing arts, but unfortunately it is not yet present in the Romanian cultural space. At the 2022 NTF we try to reopen the conversation on postmodern theater and its consequences on the world stage. (Cristina Modreanu)<strong>Victor Scorade\u021b<\/strong> and <strong>Andrei M\u0103jeri<\/strong> will discuss the heritage of post-dramatic theater on stage and in the contemporary theater discourse.<\/p>\n<p>Host: <strong>Cristina Modreanu<\/strong><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":17,"featured_media":55493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[11246,11252,11203],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/posts\/63957\/"}],"collection":[{"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/users\/17\/"}],"replies":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/comments\/?post=63957"}],"version-history":[{"count":2,"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/posts\/63957\/revisions\/"}],"predecessor-version":[{"id":63959,"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/posts\/63957\/revisions\/63959\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/media\/55493\/"}],"wp:attachment":[{"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/media\/?parent=63957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/categories\/?post=63957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fnt.ro\/2022\/en\/wp-json\/wp\/v2\/tags\/?post=63957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}