{"id":60845,"date":"2022-11-09T19:26:49","date_gmt":"2022-11-09T17:26:49","guid":{"rendered":"https:\/\/fnt.ro\/2022\/?p=60845"},"modified":"2022-11-09T19:27:43","modified_gmt":"2022-11-09T17:27:43","slug":"festivalul-national-de-teatru-2022-repere-ziua-vi-10-noiembrie","status":"publish","type":"post","link":"https:\/\/fnt.ro\/2022\/festivalul-national-de-teatru-2022-repere-ziua-vi-10-noiembrie\/","title":{"rendered":"Festivalul Na\u021bional de Teatru 2022 Repere \u2013 Ziua VI, 10 Noiembrie"},"content":{"rendered":"

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Alte 26 de evenimente \u00ee\u0219i a\u0219teapt\u0103 publicul \u00een aceast\u0103 a \u0219asea zi din Festivalul Na\u021bional de Teatru 2022.<\/h3>\n<\/div>
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9 noiembrie 2022<\/span>\u00a0 Stiri<\/a>, Comunicate de pres\u0103 FNT<\/a><\/span><\/p>\n<\/div>

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Diminea\u021ba se va deschide cu un \u201emic dejun convivial, croissant-caf\u00e9\u201d \u0219i prezentarea programelor Institutului Francez din Rom\u00e2nia (IFRo) \u0219i a programului <\/span>Chim\u00e8res<\/i><\/span> \u2013 o conferin\u021b\u0103 organizat\u0103 de IFRo \u0219i UNITER, \u00een cadrul sec\u021biunii INTERSEC\u021aII \u00ceN FNT. <\/span><\/span><\/span><\/p>\n


\nUn operator cultural important \u00een Bucure\u0219ti, Ia\u0219i, Cluj-Napoca \u0219i Timi\u0219oara, Institutul Francez din Rom\u00e2nia este o institu\u021bie de tradi\u021bie care sus\u021bine f\u0103r\u0103 ezitare forme curajoase de art\u0103 contemporan\u0103, dar \u0219i cooperarea \u0219tiin\u021bific\u0103 sau protejarea patrimoniului, printre multe altele.<\/span><\/span><\/p>\n

\u00cen dorin\u021ba de a stabili un dialog deschis \u0219i transparent cu interlocutorii s\u0103i din Rom\u00e2nia, IFRo \u0219i FNT organizeaz\u0103 o \u00eent\u00e2lnire cu reprezentan\u021bii Institutului Francez, care vor informa despre diferite forme de colaborare \u0219i de sus\u021binere a scenei locale, propuneri de spectacole \u0219i priorit\u0103\u021bile pentru anul 2023. \u00cen a doua parte a evenimentului, <\/span>Joris Mathieu<\/b><\/span>, regizor \u0219i directorul Teatrului Nouvelle G\u00e9n\u00e9ration din Lyon (Centre Dramatique National) va prezenta<\/span> Chim\u00e8res<\/i><\/span> \u2013 un program inovator al Ministerului francez al Culturii dedicat experiment\u0103rii de forme artistice hibride multidisciplinare care utilizeaz\u0103 tehnologiile digitale.<\/span><\/span><\/span><\/p>\n


\nMicul dejun convivial este destinat tuturor profesioni\u0219tilor din domeniul culturii: manageri de institu\u021bii publice sau independente, curatori\/curatoare de festivaluri, arti\u0219ti\/artiste, coordonatori\/coordonatoare de proiecte culturale. <\/span><\/span><\/span><\/p>\n

Eveniment prezentat de Institutul Francez din Rom\u00e2nia<\/span><\/span><\/p>\n

\u00centre orele <\/span>09:30 \u2013 11:30 \u2013 ARCUB, Sala Mare<\/b><\/span><\/span><\/span><\/p>\n

\u00cen aceast\u0103 zi debuteaz\u0103 \u0219i Dezbaterile <\/b>organizate de FNT. Prima dintre ele este dedicat\u0103 memoriei lui Peter Brook \u2013 una dintre cele mai valoroase \u0219i influen\u021be personalit\u0103\u021bi ale teatrului contemporan, recent disp\u0103rut dintre noi. <\/span><\/span><\/p>\n

\u201ePeter Brook, un secol de teatru<\/b>\u201d \u2013 un eveniment moderat de criticul C\u0103lin Ciobotari<\/b>, unul din curatorii FNT, care-i va avea invita\u021bi pe regizorii Andrei \u0218erban<\/b> \u0219i Felix Alexa<\/b>, precum \u0219i pe\u00a0profesorul George Banu<\/b> \u2013 din Capitala Fran\u021bei.<\/span><\/span><\/p>\n

Peter Brook a fost mai mult dec\u00e2t un om de teatru. Pentru foarte mul\u021bi dintre noi, el a reprezentat teatrul \u00eensu\u0219i. Parte din arta spectacolului european de ast\u0103zi se \u00eenr\u0103d\u0103cineaz\u0103 \u00een marile cotituri estetice pe care le-a propus Brook. Tocmai de aceea, a vorbi despre istoria personal\u0103 a acestui om \u00eenseamn\u0103, \u00een definitiv, a vorbi despre istoria recent\u0103 a teatrului. George Banu, Andrei \u0218erban, Felix Alexa l-au cunoscut \u00eendeaproape, m\u0103rturiile lor alc\u0103tuind liniile de ad\u00e2ncime ale unui portret pe care ni-l dorim c\u00e2t mai persistent, c\u00e2t mai rezistent la\u2026 uitare. <\/span><\/span><\/p>\n

Ora 12:00<\/b><\/span><\/span> \u2013 <\/span><\/span>Conferin\u021b\u0103 online<\/b><\/span><\/span>, pe <\/span><\/span>www.fnt.ro<\/span><\/span><\/a><\/u><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eTurnul #urmatorulnivel<\/b><\/span>\u201d<\/span> \u2013 d<\/span>e: Ionu\u021b Sociu, Alexandru Mih\u0103escu \u0219i Teatrul Basca<\/span><\/span><\/span><\/p>\n

(produc\u0103tori: Teatrul Basca \u0219i StageOn) <\/span><\/span><\/p>\n

Regia: <\/span>Alexandru Mih\u0103escu<\/b><\/span><\/span><\/span><\/p>\n

O experien\u021b\u0103 inedit\u0103 de teatru-film \u00een VR<\/u><\/span> despre care echipa de crea\u021bie \u0219i produc\u021bie preciza: <\/b><\/span>\u201e<\/span>Ne-am concentrat pe unghiuri multiple, detalierea sau distan\u0163area, viziunea panoramic\u0103 sau apropierea p\u00e2n\u0103 la ultimul am\u0103nunt, focalizarea pe individ sau pe dinamica grupului, iar filmarea \u00een 360\u00b0 \u00eei permite spectatorului s\u0103 vad\u0103 \u00eentr-un mod inedit cum cele \u0219ase personaje \u00ee\u0219i analizeaz\u0103 vie\u021bile<\/i><\/span><\/span>.\u201d<\/span><\/span><\/span><\/span><\/p>\n

Detalii<\/b><\/span><\/span><\/span>: <\/span><\/span><\/span>https:\/\/fnt.ro\/2022\/turnul-urmatorulnivel\/<\/span><\/span><\/span><\/a><\/u><\/span> ,<\/span><\/span><\/span>https:\/\/basca.tm.ro\/jurnal\/turnul-urmatorulnivel\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Produc\u021bie invitat\u0103 \u00een FNT \u00een cadrul sec\u021biunii Instala\u021bii performative, crea\u021bii online \u0219i VR<\/span><\/span><\/p>\n

Orele 14.00, 15.00, 16.00, 17.00, 18.00 <\/b><\/span>ARCUB, Sala Bol\u021bilor <\/span><\/span><\/span><\/p>\n

Accesul se face prin \u00eenscrierea la: <\/span><\/span><\/span>am.tirlea@yahoo.co.uk<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eCine mai scrie despre teatru?\u201d<\/b><\/span><\/span><\/span><\/p>\n

\u00cen cea de-a treia zi a <\/span>Atelierului de critic\u0103 teatral\u0103 online<\/b><\/span>, inclus \u00een sec\u021biunea <\/span>Pedagogii fluide \/ Intersec\u021bii \u00een FNT<\/i><\/span> este r\u00e2ndul <\/span>Mariei Z\u0103rnescu<\/b><\/span> s\u0103 le vorbeasc\u0103 \u00eentre 9.00 \u0219i 11.00 studentelor \u0219i studen\u021bilor sec\u021biilor de Teatrologie din facult\u0103\u021bile de teatru despre <\/span>\u201eCronica de teatru, \u00eentre reguli \u0219i trucuri\u201c<\/i><\/span>, urmat\u0103 fiind de <\/span>Miruna Runcan<\/b><\/span> (11.00 \u2013 13.00) al c\u0103rei atelier poart\u0103 numele <\/span>\u201eIndiana Jones \u00een pe\u0219terile lui Ali Baba \u2013 Criticul de teatru \u0219i istoria teatral\u0103\u201c.<\/i><\/span><\/span><\/span><\/p>\n

EVENIMENT CU CIRCUIT \u00ceNCHIS <\/span><\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

Iat\u0103 \u0219i lista spectacolelor \u2018la scen\u0103\u2019, prezente \u00een oferta zilei a VI-a a FNT32:<\/span><\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eCeva rock \u0219i ni\u0219te fete<\/b><\/span><\/span><\/span>\u201d \u2013 <\/span><\/span><\/span>dup\u0103 \u201eSome girl(s)\u201d de <\/span><\/span><\/span><\/span>NeilLabute<\/span><\/span><\/span><\/span><\/strong><\/p>\n

(produc\u0103tor: Universitatea \u201eOvidius\u201d din Constan\u021ba)<\/span><\/span><\/p>\n

Adaptarea \u0219i regia: <\/span>Radu Niculescu<\/b><\/span><\/span><\/span><\/p>\n

O comedie amar\u0103 despre destinele a cinci femei de v\u00e2rste \u0219i tipologii diferite, legate de un b\u0103rbat care le-a marcat vie\u021bile.<\/span><\/span><\/p>\n

Detalii <\/b><\/span><\/span><\/span>\u2013 <\/span><\/span><\/span>https:\/\/fnt.ro\/2022\/ceva-rock-si-niste-fete\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Produc\u021bie invitat\u0103 \u00een FNT \u00een cadrul sec\u021biunii dedicate Facult\u0103\u021bilor de Teatru din Rom\u00e2nia<\/span><\/span><\/p>\n

Ora 17:00<\/b><\/span> \u2013 Teatrul Na\u021bional \u201eI.L. Caragiale\u201d din Bucure\u0219ti, Sala Mic\u0103<\/span><\/span><\/span><\/p>\n

INTRARE LIBER\u0102 \u2013 \u00een limita locurilor disponibile<\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eM\u00fcnchausen<\/b><\/span>\u201d \u2013 de Alexa B\u0103canu<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Teatrul Municipal \u201eMatei Vi\u0219niec\u201d Suceava)<\/span><\/span><\/p>\n

Regia \u0219i light design: <\/span>Ovidiu Cai\u021ba <\/b><\/span><\/span><\/span><\/p>\n

\u201e<\/span>M\u00fcnchausen<\/i><\/span><\/span>\u201d e povestea din spatele pove\u0219tilor, o reimaginare psihologizat\u0103 \u0219i ironic\u0103 a aventurilor celebrului baron. Monologul surprinde \u00eencercarea lui M\u00fcnchausen de dezvr\u0103jire \u2013 de recunoa\u0219tere a minciunilor \u0219i \u00eemp\u0103care cu lumea, de confruntare a societ\u0103\u021bii care l-a batjocorit \u0219i de reintegrare \u00een ea, prin confesiune sincer\u0103. Confesiunea e, \u00een acela\u0219i timp, o ocazie de reevaluare a rela\u021biei sale cu realitatea, dar \u0219i de reg\u0103sire a echilibrului tulburat de incongruen\u021ba dintre imaginea proprie despre sine \u0219i felul \u00een care e perceput de ceilal\u021bi.<\/span><\/span><\/span><\/span><\/p>\n

Detalii<\/b><\/span><\/span><\/span> \u2013 <\/span><\/span><\/span>https:\/\/fnt.ro\/2022\/munchausen\/<\/span><\/span><\/span><\/a><\/u><\/span> , <\/span><\/span><\/span>https:\/\/www.teatrulmateivisniec.ro\/ro\/repertoriu<\/span><\/span><\/span><\/u><\/span>\/<\/span><\/span><\/span><\/u><\/span><\/a><\/p>\n

Ora 18.00 <\/b><\/span>\u2013 <\/span>Teatrul Na\u021bional \u201eI.L.Caragiale\u201d din Bucure\u0219ti<\/span>, Sala Atelier<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eCanc\u00fan<\/b><\/span>\u201d \u2013 de Jordi Galcer\u00e1n<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Teatrul \u201eNottara\u201d Bucure\u0219ti)<\/span><\/span><\/p>\n

Regia, light design \u0219i ilustra\u021bia muzical\u0103: <\/span>Felix Alexa<\/b><\/span> <\/span><\/span><\/p>\n

O comedie subtil\u0103 de dialog \u0219i de situa\u021bie, <\/span><\/span>\u201e<\/span>Canc\u00fan<\/i><\/span><\/span>\u201d este, \u00een acela\u0219i timp, o medita\u021bie asupra felului \u00een care de multe ori un eveniment ce pare nesemnificativ schimb\u0103 pentru totdeauna cursul vie\u021bii. <\/span><\/span>Un spectacol despre fragilitatea rela\u021biilor umane, despre c\u00e2t de relativ\u0103 \u0219i ambigu\u0103 e fericirea \u00een cuplu, \u00een via\u021b\u0103 \u00een general.<\/span><\/span><\/span><\/p>\n

Detalii<\/b><\/span><\/span><\/span> \u2013 <\/span><\/span><\/span>https:\/\/fnt.ro\/2022\/cancun\/<\/span><\/span><\/span><\/a><\/u><\/span> , <\/span><\/span><\/span>https:\/\/www.nottara.ro\/repertoriu\/cancun\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Ora 18.00<\/b><\/span> \u2013 Teatrul Nottara, Sala \u201eGeorge Constantin\u201d<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eHamlet<\/b><\/span>\u201d \u2013 de William Shakespeare<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Teatrul Maghiar de Stat Cluj)<\/span><\/span><\/p>\n

Regia: <\/span><\/span><\/span><\/span>G\u00e1bor Tompa<\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u201eHamlet<\/i><\/span><\/span><\/span><\/span><\/strong>\u201d este una dintre cele mai cunoscute opere din literatura universal\u0103, iar cea de-a patra montare a textului din cariera regizorului G\u00e1bor Tompa (care a avut premiera la Cluj <\/span><\/span><\/span><\/span><\/strong>\u00ee<\/span><\/span><\/span><\/span>n 3 decembrie 2021) este o oglind\u0103 a lumii noastre de ast\u0103zi.<\/span><\/span><\/span><\/span><\/strong><\/p>\n

Detalii <\/span><\/span><\/span><\/span><\/strong>\u2013 <\/span><\/span><\/span><\/span><\/strong>https:\/\/fnt.ro\/2022\/hamlet\/<\/span><\/span><\/span><\/a><\/u><\/span> , <\/span><\/span><\/span><\/span><\/strong>https:\/\/www.huntheater.ro\/ro\/spectacol\/602\/hamlet\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Spectacol \u00een limba maghiar\u0103 cu traducere \u00een limbile rom\u00e2n\u0103 \u0219i englez\u0103<\/span><\/span><\/span><\/span><\/p>\n

Ora 20:00<\/b><\/span> \u2013 Teatrul Na\u021bional \u201eI.L. Caragiale\u201d din Bucure\u0219ti, Sala \u201eIon Caramitru\u201d (Sala Mare)<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eSimfonia progresului<\/b><\/span>\u201d \u2013 de Nicoleta Esinencu, teatru-sp\u0103l\u0103torie<\/span><\/span><\/span><\/p>\n

(produc\u0103tori: teatru-sp\u0103l\u0103torie, Chi\u0219in\u0103u (Republica Moldova) \u0219i HAU Hebbel am Ufer, Berlin (Germania) <\/span><\/span><\/p>\n

Pe un fundal sonor realizat din zgomote produse de ma\u0219ini \u0219i unelte, Nicoleta Esinencu \u0219i colectivul sp\u0103l\u0103torie spun povestea oamenilor din Europa de Est care sunt for\u021ba\u021bi s\u0103 lucreze \u00een condi\u021bii umilitoare \u00een vest pentru a supravie\u021bui. <\/span><\/span>Noua lucrare a Nicoletei Esinencu foreaz\u0103 \u00een ad\u00e2ncul aceste idei idilice a progresului, expun\u00e2nd straturile sale de violen\u021b\u0103. Progresul sistemului capitalist care dezvolt\u0103 necontenit noi forme de exploatare \u0219i colonizare.<\/span><\/span><\/span><\/p>\n

Detalii<\/span><\/span><\/span><\/span><\/strong> \u2013 <\/span><\/span><\/span><\/span><\/strong>https:\/\/fnt.ro\/2022\/simfonia-progresului\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Spectacol \u00een limba rom\u00e2n\u0103 moldoveneasc\u0103 \u0219i rus\u0103 cu traducere \u00een limbile rom\u00e2n\u0103 \u0219i englez\u0103<\/span><\/span><\/p>\n

Ora 20:00<\/b><\/span> \u2013 Teatrul Odeon, Sala Majestic<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eMedeea. Furie<\/b><\/span>\u201d \u2013 de Radu Popescu<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Teatrul Apropo \/ Asocia\u021bia TEATRUL.RO)<\/span><\/span><\/span><\/p>\n

Regia: <\/span><\/span><\/span><\/span>Radu Popescu<\/span><\/span><\/span><\/span><\/strong><\/p>\n

Spectacolul reinterpreteaz\u0103 mitul antic al Medeei \u0219i transform\u0103 rela\u021biile de for\u021b\u0103 dintre personajele tragediei, din perspectiva unor \u00eentreb\u0103ri contemporane.<\/span><\/span><\/span><\/p>\n

Detalii<\/span><\/span><\/span><\/span><\/strong> \u2013 <\/span><\/span><\/span><\/span><\/strong>https:\/\/fnt.ro\/2022\/medeea-furie\/<\/span><\/span><\/span><\/a><\/u><\/span> , <\/span><\/span><\/span><\/span><\/strong>https:\/\/teatrulapropo.ro\/medeea-furie\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Ora 20:00<\/b><\/span> \u2013 Teatrul Apropo<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eTr\u0103dare<\/b><\/span>\u201d \u2013 de Harold Pinter<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Teatrul Na\u021bional T\u00e2rgu-Mure\u0219, Compania \u201eLiviu Rebreanu\u201d)<\/span><\/span><\/p>\n

Regia, traducerea \u0219i dramatizarea: <\/span><\/span><\/span><\/span>Bobi Pricop<\/span><\/span><\/span><\/span><\/strong><\/p>\n

I<\/span><\/span><\/span><\/span><\/strong>nfidelitatea \u2013 e tema central\u0103 a piesei \u201e<\/span><\/span><\/span><\/span>Tr\u0103dare<\/i><\/span><\/span><\/span><\/span>\u201d, scris\u0103 de celebrul dramaturg englez Harold Pinter, laureat al Premiului Nobel pentru Literatur\u0103. <\/span><\/span><\/span><\/span>\u201e<\/span><\/span><\/span><\/span><\/strong>Tr\u0103dare<\/i><\/span><\/span><\/span><\/span><\/strong>\u201d e o reconstituire percutant\u0103, \u00een cronologie invers\u0103, a form\u0103rii \u015fi dezintegr\u0103rii triunghiului amoros<\/span><\/span><\/span><\/span><\/strong>J<\/span><\/span><\/span><\/span><\/p>\n

Detalii <\/span><\/span><\/span><\/span><\/strong>\u2013 <\/span><\/span><\/span><\/span><\/strong>https:\/\/fnt.ro\/2022\/tradare\/<\/span><\/span><\/span><\/a><\/u><\/span> , <\/span><\/span><\/span><\/span><\/strong>https:\/\/teatrunational.ro\/play\/tradare\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Ora 21:00<\/b><\/span> \u2013 Teatrul Bulandra, Sala \u201eLiviu Ciulei\u201d (Izvor)<\/span><\/span><\/span><\/p>\n

\u00a0 \u00a0<\/strong><\/p>\n

\u201eFurtuna<\/b><\/span>\u201d \u2013 dup\u0103: William Shakespeare<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Teatrul Municipal \u201eLucia Sturdza Bulandra\u201d Bucure\u0219ti)<\/span><\/span><\/p>\n

Regia, versiunea muzical\u0103 \u0219i versurile: <\/span><\/span><\/span><\/span>Ada Milea <\/span><\/span><\/span><\/span><\/strong><\/p>\n

O versiune muzical\u0103 a celebrului text shakespearian: \u201e<\/span><\/span><\/span><\/span>Furtuna\u201d aceasta are la baz\u0103 o replic\u0103 a unuia dintre personaje (Caliban): \u00abinsula e plin\u0103 de zgomote, ecouri \u015fi-armonii, dar nu fac r\u0103u, fac bine. C\u00e2teodat\u0103, \u00eemi susur\u0103-n ureche parc\u0103 mii de instrumente mici \u015fi calde, sau sunt voci ame\u0163itoare\u2026\u00bb (trad. Cristi Juncu). Mi-am imaginat c\u0103 mai mul\u0163i actori (care \u00eel interpreteaz\u0103 pe Ariel) ar putea construi o \u201einsul\u0103 de sunete\u201d \u015fi, \u00een timp ce \u00eei acompaniaz\u0103 pe ceilal\u0163i, s\u0103 par\u0103 c\u0103 influen\u0163eaz\u0103 percep\u0163ia tuturor asupra realit\u0103\u021bii.\u00bb<\/i><\/span><\/span><\/span><\/span> \u2013 Ada Milea<\/span><\/span><\/span><\/span><\/p>\n

Detalii<\/span><\/span><\/span><\/span><\/strong> \u2013 <\/span><\/span><\/span><\/span><\/strong>https:\/\/fnt.ro\/2022\/furtuna\/<\/span><\/span><\/span><\/a><\/u><\/span> , <\/span><\/span><\/span><\/span><\/strong>https:\/\/www.bulandra.ro\/furtuna\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Ora 21:30<\/b><\/span> \u2013 Teatrul Bulandra, Sala \u201eToma Caragiu\u201d (Icoanei)<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201e<\/span>Dou\u0103 cazuri<\/b><\/span>\u201d \u2013 spectacol de teatru radiofonic<\/span><\/span><\/span><\/p>\n

dup\u0103 <\/span>\u201e<\/span><\/span>Groaznica sinucidere din strada Fidelit\u0103\u0163ii<\/i><\/span>\u201d \u015fi <\/span>\u201e<\/span><\/span>Inspec\u0163iune<\/i><\/span>\u201d de I.L. Caragiale<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: <\/span><\/span><\/span><\/span>Teatrul Na\u021bional Radiofonic, 2016)<\/span><\/span><\/span><\/span><\/strong><\/p>\n

Dramatizarea radiofonic\u0103 \u015fi regia artistic\u0103: <\/span><\/span><\/span>Gavriil Pinte<\/b><\/span><\/span><\/span><\/p>\n

Detalii <\/b><\/span><\/span><\/span>\u2013 <\/span><\/span><\/span>https:\/\/fnt.ro\/2022\/doua-cazuri\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Spectacol \u00een cadrul sec\u0163iunii FNT ON AIR \/ Intersec\u021bii \u00een FNT.<\/span><\/span><\/span><\/span><\/p>\n

Ora 23.00<\/b><\/span><\/span><\/span> \u2013 Radio Rom\u00e2nia Cultural, sau Online pe: <\/span><\/span><\/span>www.eteatru.ro<\/span><\/span><\/span><\/a><\/u><\/span> , \u00een colec\u021bia FNT 2022<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201e<\/span>Un tramvai numit dorin\u021b\u0103<\/b><\/span>\u201d \u2013 de Tennessee Williams<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Teatrul Na\u021bional Radiofonic, 2008)<\/span><\/span><\/p>\n

Adaptarea radiofonic\u0103 \u0219i regia artistic\u0103: <\/span>Dan Puican<\/b><\/span><\/span><\/span><\/p>\n

Detalii <\/b><\/span><\/span><\/span>\u2013 <\/span><\/span><\/span>https:\/\/fnt.ro\/2022\/un-tramvai-numit-dorinta\/<\/span><\/span><\/span><\/a><\/u><\/span><\/p>\n

Spectacol \u00een cadrul sec\u0163iunii FNT ON AIR \/ Intersec\u021bii \u00een FNT.<\/span><\/span><\/span><\/span><\/p>\n

Ora 23.05<\/b><\/span><\/span><\/span> \u2013 Radio Rom\u00e2nia Actualit\u0103\u021bi, sau online pe: <\/span><\/span><\/span>www.eteatru.ro<\/span><\/span><\/span><\/a><\/u><\/span>, \u00een colec\u021bia FNT 2022<\/span><\/span><\/span><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n

\u201eLes Loges<\/b><\/span>\u201d \/ \u201e<\/i><\/span>Cabinele<\/b><\/span>\u201d<\/span> <\/b>\u2013<\/span> <\/b>Instala\u021bie imersiv\u0103 \u00een jurul scrierilor dramatice contemporane<\/span><\/span><\/span><\/p>\n

(produc\u0103tor: Th\u00e9\u00e2tre Nouvelle G\u00e9n\u00e9ration, Centre dramatique national de Lyon, coproduc\u0103tor: ARTCENA, cu sprijinul Institutului Francez din Rom\u00e2nia)<\/span><\/span><\/p>\n

O instala\u021bie de<\/span><\/span><\/span><\/span> Joris Mathieu<\/span><\/span><\/span><\/span><\/strong> \u0219i <\/span><\/span><\/span><\/span>Nicolas Boudier<\/span><\/span><\/span><\/span><\/strong> \u00eempreun\u0103 cu <\/span><\/span><\/span><\/span>Haut et Court.<\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u201eLes Loges\u201d \/ \u201eCabinele\u201d \/ \u201eLojele<\/i><\/span><\/span><\/span>\u201d \u2013 este un dispozitiv pentru un spectator, la confluen\u021ba crea\u021biei digitale \u0219i medierii, care \u00ee\u0219i propune s\u0103 promoveze \u0219i s\u0103 \u00eencurajeze descoperirea scrisului dramatic contemporan, printr-o experien\u021b\u0103 digital\u0103 sensibil\u0103. Lu\u00e2nd loc \u00een Loj\u0103, vizitatorul se instaleaz\u0103 pentru a experimenta un <\/span><\/span><\/span>t\u00eate-\u00e0-t\u00eate,<\/i><\/span><\/span><\/span> timp de c\u00e2teva minute, cu un interpret virtual care \u00eel va cufunda \u00een intimitatea unui text teatral. Prin ridicarea receptorului, e\u0219ti pus \u00een contact cu un actor \u00eentr-o proximitate unic\u0103, de parc\u0103 ai fi a\u0219ezat de cealalt\u0103 parte a oglinzii. Datorit\u0103 unui dispozitiv de teatru optic, acest interpret apare virtual \u0219i te prive\u0219te drept \u00een ochi pentru a \u00eemp\u0103rt\u0103\u0219i cu tine un monolog din repertoriul dramatic francez contemporan. E vorba despre crearea unei experien\u021be care \u00eemprumut\u0103 din codurile teatrale \u0219i care aduce un omagiu artei actorului.<\/span><\/span><\/span><\/p>\n

Instala\u021bie \u00een limba francez\u0103, cu versiune \u00een limba englez\u0103, cu <\/span>INTRARE LIBER\u0102<\/span><\/span><\/span><\/span><\/p>\n

5-13 noiembrie, 10.00-20.00<\/b><\/span> \u2013 Teatrul Na\u021bional \u201eI.L. Caragiale\u201d Bucure\u0219ti, Sala Media Foaier <\/span><\/span><\/span><\/p>\n<\/div>

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<\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Alte 26 de evenimente \u00ee\u0219i a\u0219teapt\u0103 publicul \u00een aceast\u0103 a \u0219asea zi din Festivalul Na\u021bional de Teatru 2022.<\/p>\n","protected":false},"author":17,"featured_media":54505,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[17,6],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/posts\/60845"}],"collection":[{"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/comments?post=60845"}],"version-history":[{"count":2,"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/posts\/60845\/revisions"}],"predecessor-version":[{"id":60847,"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/posts\/60845\/revisions\/60847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/media\/54505"}],"wp:attachment":[{"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/media?parent=60845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/categories?post=60845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fnt.ro\/2022\/wp-json\/wp\/v2\/tags?post=60845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}