{"id":63925,"date":"2022-11-15T11:36:03","date_gmt":"2022-11-15T09:36:03","guid":{"rendered":"https:\/\/fnt.ro\/2022\/?p=63925"},"modified":"2022-11-15T11:36:40","modified_gmt":"2022-11-15T09:36:40","slug":"impresii-din-fnt-2022-ii-lacrimile-amare-ale-petrei-von-kant-la-festivalul-national-de-teatru-2022-liviu-ornea-liternet-ro","status":"publish","type":"post","link":"https:\/\/fnt.ro\/2022\/impresii-din-fnt-2022-ii-lacrimile-amare-ale-petrei-von-kant-la-festivalul-national-de-teatru-2022-liviu-ornea-liternet-ro\/","title":{"rendered":"Impresii din FNT 2022 (II) – Lacrimile amare ale Petrei von Kant la Festivalul Na\u021bional de Teatru, 2022 (Liviu Ornea, LiterNet.ro)"},"content":{"rendered":"

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fnt.ro<\/a><\/h6><\/div>
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Regizorul Radu Nica pare s\u0103 aib\u0103 o aplecare spre reinterpretarea unor filme celebre. \u00cenceputul l-a f\u0103cut, cred, cu Am angajat un uciga\u0219 profesionist (dup\u0103 Aki Kaurism\u00e4ki), apoi Balul (dup\u0103 Ettore Scola, via o idee a Th\u00e9\u00e2tre du Compagnol) \u0219i Breaking the Waves (dup\u0103 Lars von Trier), mai recent am v\u0103zut Persona (dup\u0103 Ingmar Bergman), iar acum acest foarte special spectacol, Lacrimile amare ale Petrei von Kant, pe textul lui Rainer Werner Fassbinder.<\/h3>\n<\/div>
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15 noiembrie 2022<\/span>\u00a0 FNT \u00een pres\u0103<\/a><\/span><\/p>\n<\/div>

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Trebuie spus din capul locului c\u0103 Nica nu \u00eencearc\u0103 s\u0103 refac\u0103 filme; el construie\u0219te un spectacol pornind de la scenariu (\u00een cazul Persona) sau de la chiar textul dramatic de la baza scenariului (ca pentru Balul \u0219i pentru Lacrimile…). \u00cen cazul de fa\u021b\u0103, piesa lui Fassbinder, dup\u0103 care regizorul a \u0219i f\u0103cut filmul cu Hanna Schygulla, spune o banal\u0103 poveste de dragoste: X p\u0103r\u0103se\u0219te pe Y care continu\u0103 s\u0103-l iubeasc\u0103 \u0219i s\u0103-l serveasc\u0103 \u0219i se \u00eendr\u0103goste\u0219te pasional, f\u0103r\u0103 rest de Z (pasiunea se combin\u0103 \u0219i se confund\u0103 cu dorin\u021ba de posesie); Z \u00eens\u0103 nu iube\u0219te, sau iube\u0219te mai pu\u021bin, sau mai superficial, apoi se satur\u0103 \u0219i pleac\u0103, reg\u0103sindu-\u0219i o alt\u0103 iubire.<\/p>\n

Faptul c\u0103 X, Y \u0219i Z s\u00eent femei e doar un detaliu, unul care poate \u0219oca (\u00eenc\u0103) la noi, dar s\u0103 nu uit\u0103m c\u0103 filmul a ap\u0103rut \u00een 1972… E, desigur, un merit al regizorului \u0219i al teatrului care l-a g\u0103zduit c\u0103 au adus pe scen\u0103 aceast\u0103 tem\u0103 (a iubirii homosexuale) aproape complet neglijat\u0103 la noi.<\/p>\n

Citi\u021bi integral pe LiterNet.ro<\/a><\/strong><\/p>\n<\/div>

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