{"id":63944,"date":"2022-11-16T09:22:38","date_gmt":"2022-11-16T07:22:38","guid":{"rendered":"https:\/\/fnt.ro\/2022\/?p=63944"},"modified":"2022-11-16T09:22:38","modified_gmt":"2022-11-16T07:22:38","slug":"magia-eliberatoare-a-teatrului-cruzimii-diana-monica-dascalu-bookhub","status":"publish","type":"post","link":"https:\/\/fnt.ro\/2022\/magia-eliberatoare-a-teatrului-cruzimii-diana-monica-dascalu-bookhub\/","title":{"rendered":"Magia eliberatoare a teatrului cruzimii (Diana Monica Dasc\u0103lu, BookHub)"},"content":{"rendered":"

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fnt.ro<\/a><\/h6><\/div>
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Idolatria culturii \u0219i ideea capodoperelor rezervate unei a\u0219a-zise elite este contestat\u0103 de Antonin Artaud \u00een teoriile sale despre natura \u0219i menirea teatrului \u0219i, \u00een acest context, spectacolul \u00een regia \u00a0lui\u00a0Silviu Purc\u0103rete,<\/strong>\u00a0Antonin Artaud. Familia Cenci<\/em><\/strong>, devine o alegere interesant\u0103 pentru a \u00eenchide Festivalul Na\u021bional de Teatru, ca o poart\u0103 l\u0103sat\u0103 deschis\u0103 polemicii.<\/h3>\n<\/div>
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16 noiembrie 2022<\/span>\u00a0 FNT \u00een pres\u0103<\/a><\/span><\/p>\n<\/div>

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Silviu Purc\u0103rete d\u0103 fr\u00e2u liber tuturor for\u021belor creatoare \u00eentr-un spectacol intens \u00een senza\u021bii \u0219i, cu siguran\u021b\u0103, neconven\u021bional. Subiectul pe care alege s\u0103 \u00eel pun\u0103 \u00een scen\u0103 este istoria familiei Cenci, o poveste a cruzimii instinctelor umane, care a fost adaptat\u0103 \u00een mai multe versiuni de Shelly, Stendhal \u0219i Antonin Artaud. Spre deosebire de viziunile anterioare, care sunt un comentariu asupra moralei \u00een raport cu vremurile, la Antonin Artaud interesul este pentru cruzimea pove\u0219tii unor personaje celebre, din care s\u0103 poat\u0103 extrage for\u021ba ce se agit\u0103 \u00een ele ca s\u0103 zguduie sim\u021burile spectatorului.<\/p>\n

Pentru a se putea adresa \u00een primul r\u00e2nd sim\u021burilor \u0219i nu spiritului, a\u0219a cum o face \u00een mod conven\u021bional teatrul prin fluxul de replici, \u0219i deci, prin limbaj, Silviu Purc\u0103rete se va folosi cu prec\u0103dere de celelalte instrumente ale limbajului scenic, care \u021bin de spa\u021bialitate \u0219i de prezen\u021b\u0103 scenic\u0103, urm\u00e2nd viziunea lui Artaud c\u0103tre un teatru care se dezbrac\u0103 de teatralitate \u0219i \u00ee\u0219i recap\u0103t\u0103 func\u021bia mistic\u0103 primordial\u0103, aceea a comuniunii \u0219i a prezen\u021bei autentice. Prin for\u021ba reprezent\u0103rii spectacolului, via\u021ba de pe scen\u0103 are o for\u021b\u0103 vital\u0103 mai mare dec\u00e2t via\u021ba \u00eens\u0103\u0219i \u0219i, deci, o importan\u021b\u0103 mai mare.<\/p>\n

Citi\u021bi integral pe BookHub<\/strong><\/a><\/p>\n<\/div>

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