{"id":72184,"date":"2023-11-13T14:00:59","date_gmt":"2023-11-13T12:00:59","guid":{"rendered":"https:\/\/fnt.ro\/2023\/?p=72184"},"modified":"2023-11-13T14:00:59","modified_gmt":"2023-11-13T12:00:59","slug":"fnt-pentru-noi-toti-iulia-popovici-observator-cultural","status":"publish","type":"post","link":"https:\/\/fnt.ro\/2023\/fnt-pentru-noi-toti-iulia-popovici-observator-cultural\/","title":{"rendered":"FNT pentru noi to\u021bi (Iulia Popovici, Observator Cultural)"},"content":{"rendered":"

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fnt.ro<\/a><\/h6><\/div>
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Nu e, cred, nici un paradox \u00een faptul c\u0103 spectacolul care mie mi s-a p\u0103rut musai de v\u0103zut \u00een Festivalul Na\u021bional de Teatru (FNT) 2023 \u2013\u00a0Tinerii barbari\u00a0<\/i>de la Teatrul Maghiar de Stat din Cluj (regia Attila Vidny\u00e1nszky jr.) \u2013 s-a jucat cu sala mai pu\u021bin dec\u00eet plin\u0103, de\u0219i era una de dimensiuni cel mult medii.<\/h3>\n<\/div>
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13 noiembrie 2023<\/span>\u00a0 FNT \u00een pres\u0103<\/a><\/span><\/p>\n<\/div>

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Asta, spre deosebire de cel\u0103lalt spectacol musai de v\u0103zut,\u00a0Catarina \u0219i frumuse\u021bea de a ucide fasci\u0219ti<\/i>\u00a0de Tiago Rodrigues (Teatrul Na\u021bional \u201eD. Maria II\u201d din Lisabona), la care Sala Mare a Na\u021bionalului bucure\u0219tean a dat pe-afar\u0103. Nu e nimic neap\u0103rat nea\u0219teptat \u00een acest interes variabil al publicului, fiindc\u0103 FNT e h\u00eertia perfect\u0103 de turnesol pentru mecanica responsabil\u0103 de mersul oamenilor la teatru: o produc\u021bie \u00een maghiar\u0103, din Rom\u00e2nia, semnat\u0103 de un nume necunoscut (la Bucure\u0219ti), creeaz\u0103, f\u0103r\u0103 dubii, (mai) pu\u021bine valuri comparativ cu un spectacol din str\u0103in\u0103tate, regizat de noul director al faimosului Festival de la Avignon. De\u0219i am r\u0103mas cu senza\u021bia c\u0103 o parte a publicului de la\u00a0Catarina\u2026<\/i>\u00a0a r\u0103mas cu o mic\u0103 insatisfac\u021bie \u00een fa\u021ba sobriet\u0103\u021bii m\u0103car scenotehnice, dac\u0103 nu chiar integral scenografice a spectacolului (o mai mare nemul\u021bumire pare a fi fost legat\u0103 de \u00eensu\u0219i punctul de plecare al spectacolului lui Rodrigues \u2013 tradi\u021bia familiei, alimentat\u0103 de idei de st\u00eenga, de a ucide \u00een fiecare an c\u00eete un \u201efascist\u201d, ini\u021bial reprezentant al dictaturii lui Salazar \u0219i apoi al populismului \u0219i conservatorismului social).<\/p>\n

Citi\u021bi integral \u00een Observator Cultural<\/strong><\/a><\/p>\n<\/div>

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