{"id":67428,"date":"2024-10-10T11:07:18","date_gmt":"2024-10-10T09:07:18","guid":{"rendered":"https:\/\/fnt.ro\/2024\/?p=67428"},"modified":"2024-10-22T13:37:17","modified_gmt":"2024-10-22T11:37:17","slug":"5-piese-scurte","status":"publish","type":"post","link":"https:\/\/fnt.ro\/2024\/5-piese-scurte\/","title":{"rendered":"5 piese scurte (spectacol lectur\u0103)"},"content":{"rendered":"<p><div id=\"blog-header\" class=\"fusion-fullwidth fullwidth-box hundred-percent-fullwidth non-hundred-percent-height-scrolling\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class=\"fusion-builder-row fusion-row \"><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_1  fusion-one-full fusion-column-first fusion-column-last sub-header-fisa 1_1\"  style='margin-top:0px;margin-bottom:20px;'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><p style=\"text-align: center;\">21 octombrie | 16:00 \u2013 Teatrul Na\u021bional \u201eI.L. Caragiale\u201d din Bucure\u0219ti, Sala Media<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-first first fusion-column-no-min-height 1_2\"  style='margin-top:0px;margin-bottom:0px;width:48%; margin-right: 4%;'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"614\" src=\"https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA-200x123.jpg 200w, https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA-300x184.jpg 300w, https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA-400x246.jpg 400w, https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA-600x368.jpg 600w, https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA-768x472.jpg 768w, https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA-800x491.jpg 800w, https:\/\/fnt.ro\/2024\/wp-content\/uploads\/2024\/10\/SPECTACOL-LECTURA.jpg 1000w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-last second fusion-column-no-min-height 1_2\"  style='margin-top:0px;margin-bottom:0px;width:48%'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\">\n<\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:25px;margin-bottom:25px;\"><\/div><div class=\"fusion-text\"><h3>Spectacol lectur\u0103 \u00een FNT 2024, urmat de o discu\u021bie cu publicul, al\u0103turi de echip\u0103, autorii textelor, precum \u0219i de mentorii workshopului de dramaturgie: texte rom\u00e2ne\u0219ti, Alexandra Felseghi, Csaba Szekely \u0219i Elena Vl\u0103d\u0103reanu.<\/h3>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row \"><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_2_5  fusion-two-fifth fusion-column-first 2_5\"  style='margin-top: 0px;margin-bottom: 20px;width:40%;width:calc(40% - ( ( 4% ) * 0.4 ) );margin-right:4%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\"><div class=\"fusion-button-wrapper fusion-alignleft\"><style type=\"text\/css\" scoped=\"scoped\">.fusion-button.button-1 .fusion-button-text, .fusion-button.button-1 i {color:#ffffff;}.fusion-button.button-1 {border-width:1px;border-color:#ffffff;}.fusion-button.button-1 .fusion-button-icon-divider{border-color:#ffffff;}.fusion-button.button-1:hover .fusion-button-text, .fusion-button.button-1:hover i,.fusion-button.button-1:focus .fusion-button-text, .fusion-button.button-1:focus i,.fusion-button.button-1:active .fusion-button-text, .fusion-button.button-1:active{color:#000000;}.fusion-button.button-1:hover, .fusion-button.button-1:focus, .fusion-button.button-1:active{border-width:1px;border-color:#000000;}.fusion-button.button-1:hover .fusion-button-icon-divider, .fusion-button.button-1:hover .fusion-button-icon-divider, .fusion-button.button-1:active .fusion-button-icon-divider{border-color:#000000;}.fusion-button.button-1{background: #fdb910;}.fusion-button.button-1:hover,.button-1:focus,.fusion-button.button-1:active{background: rgba(255,255,255,0);}.fusion-button.button-1{width:auto;}<\/style><a class=\"fusion-button button-flat fusion-button-round button-large button-custom button-1\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"fusion-button-text\">INTRAREA LIBER\u0102 \u00een limita locurilor disponibile<\/span><\/a><\/div><\/div><\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_3_5  fusion-three-fifth fusion-column-last 3_5\"  style='margin-top: 0px;margin-bottom: 20px;width:60%;width:calc(60% - ( ( 4% ) * 0.6 ) );'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\"><div class=\"fusion-text\"><p>[same_day_events_link]<\/p>\n<\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box post_content nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-top: 30px;'><div class=\"fusion-builder-row fusion-row \"><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_3  fusion-one-third fusion-column-first first 1_3\"  style='margin-top:0px;margin-bottom:20px;width:33.33%;width:calc(33.33% - ( ( 4% ) * 0.3333 ) );margin-right: 4%;'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><p><span class=\"categorie\"><\/span><\/p>\n<\/div><div class=\"fusion-text\"><p>De: <strong>Teodora Savu, Alex Gorghe, Iulia Enkelana, Sever B\u00e2rzan, Alma Andreescu<\/strong><\/p>\n<p>Cu: <strong>Maruca B\u0103ia\u0219u, Silvana Negru\u021biu, Mihaela Velicu, Florin Aioane, Lucian Iftime<\/strong><\/p>\n<p>Regia: <strong>Mara Oprea<\/strong><\/p>\n<p>Scenografia: <strong>Alberto Ursache<\/strong><\/p>\n<p>Produc\u0103tor: <strong>Festivalul Na\u021bional de Teatru, 2024<\/strong><\/p>\n<p>Durata: <strong>2h<\/strong><\/p>\n<p style=\"font-weight: 400;\"><em>Spectacol urmat de o discu\u021bie cu publicul, al\u0103turi de echip\u0103, autorii textelor, precum \u0219i mentorii Workshopului de dramaturgie: texte rom\u00e2ne\u0219ti, Alexandra Felseghi, Csaba Szekely \u0219i Elena Vl\u0103d\u0103reanu (Moderatoare: Mihaela Michailov)<\/em><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-last second 1_2\"  style='margin-top:0px;margin-bottom:20px;width:50%;width:calc(50% - ( ( 4% ) * 0.5 ) );'>\n\t\t\t\t\t<div class=\"fusion-column-wrapper\" style=\"padding: 15px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"  data-bg-url=\"\">\n\t\t\t\t\t\t<div class=\"fusion-text\"><p><strong><em>of of <\/em><\/strong>de Alex Gorghe<\/p>\n<p>Textul prezint\u0103 o discu\u021bie tensionat\u0103 \u00eentre o mam\u0103, fiica ei \u0219i unchiul, la o petrecere de familie. Fiica anun\u021b\u0103 c\u0103 este \u00eens\u0103rcinat\u0103, dar inten\u021bioneaz\u0103 s\u0103 fac\u0103 avort, ceea ce declan\u0219eaz\u0103 o confruntare dureroas\u0103 \u00eentre ea \u0219i mama ei. Fiica \u00ee\u0219i exprim\u0103 resentimentele fa\u021b\u0103 de copil\u0103ria marcat\u0103 de instabilitatea mamei, iar conversa\u021bia scoate la iveal\u0103 traume \u0219i ne\u00een\u021belegeri profunde. Unchiul \u00eencearc\u0103 s\u0103 men\u021bin\u0103 calmul, dar tensiunile escaladeaz\u0103 rapid, dezv\u0103luind rela\u021biile disfunc\u021bionale din familie.<\/p>\n<p>\u2026\u2026\u2026\u2026<\/p>\n<p><strong><b>Alex Gorghe<\/b><\/strong>\u00a0e un t\u00e2n\u0103r scriitor. A studiat teatru aplicat la Royal Central School of Speech and Drama \u0219i mai apoi Masterul de Scriere dramatic\u0103 la UNATC. A scris mai multe piese care au fost reprezentate pe scena teatrului rom\u00e2nesc: <em>B\u0103iatul cu \u0219osete roz<\/em>\u00a0(montat la Teatrul Excelsior); <em>C\u00e2inele mamei mele<\/em>,<em>\u00a0Mi-e ru\u0219ine<\/em>,<em>\u00a0DN83 <\/em>\u00a0(montate la Centrul de Teatru Educa\u021bional Replika), <em>V\u00e2n\u0103toarea de stru\u021bi<\/em>\u00a0(spectacol de teatru sonor la Teatrul Improbabil), <em>Memoriile unui LoLo<\/em>\u00a0(montat la Reactor de Crea\u021bie \u0219i Experiment), <em>Energie Poten\u021bial\u0103<\/em>\u00a0\u2013 text \u00een lucru (spectacol lectur\u0103 \u00een cadrul Platformei de Teatru Politic), <em>Petunia<\/em>\u00a0(spectacol lectur\u0103 la Teatrul Odeon). A publicat \u0219i un roman, <em>Fiul cruzimii<\/em>, la editura Creator. \u00cenc\u0103 din timpul licen\u021bei a \u00eenceput s\u0103 facilitez ateliere de scriere dramatic\u0103 \u0219i de scriere creativ\u0103 cu adolescente, adolescen\u021bi, tinere \u0219i tineri.<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>A wo-man<\/em><\/strong><strong>\u00a0<\/strong>de Iulia Enkelana<\/p>\n<p>Ce \u00eenseamn\u0103 libertate, normalitate \u0219i destin? C\u00e2te dintre lucrurile pe care le facem nu sunt nimic mai mult dec\u00e2t rezultatul unor conven\u021bii? Cine este \u00een m\u0103sur\u0103 s\u0103 separe normalitatea de anormalitate \u0219i cum ne mai afecteaz\u0103, \u00een prezent, astfel de delimit\u0103ri? \u00cen c\u00e2te feluri se poate tr\u0103i via\u021ba?<\/p>\n<p>\u00cen unele \u021b\u0103ri balcanice (Albania, Serbia, Kosovo, Muntenegru, Bosnia \u0219i Her\u021begovina&#8230;), p\u00e2n\u0103 prin anii \u201970-\u201980, a existat un fenomen str\u0103vechi al virginelor jurate: femei care, atunci c\u00e2nd nu erau b\u0103rba\u021bi \u00een familie (muriser\u0103 sau se n\u0103scuser\u0103 numai fete) sau c\u00e2nd voiau s\u0103 refuze elegant o c\u0103s\u0103torie, depuneau un jur\u0103m\u00e2nt de castitate \u0219i se \u00eembr\u0103cau \u00een haine de b\u0103rba\u021bi, aveau voie s\u0103 bea, s\u0103 fumeze, s\u0103 munceasc\u0103, s\u0103 mearg\u0103 libere prin ora\u0219, s\u0103 ia decizii sau s\u0103 de\u021bin\u0103 arme \u2013 fiind acceptate de comunitate \u0219i tratate drept b\u0103rba\u021bi. O t\u00e2n\u0103r\u0103 regizoare de film documentar se \u00eentoarce la origini, \u00een Albania, \u0219i \u00eent\u00e2lne\u0219te o virgin\u0103 jurat\u0103, cu scopul de a-i lua un interviu \u0219i de a-i \u00een\u021belege modul de via\u021b\u0103 \u0219i percep\u021bia.<\/p>\n<p>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/p>\n<p><strong><b>Iulia Enkelana<\/b><\/strong>\u00a0(pseudonimul Iuliei-Maria Ky\u00e7yku, n. 1999) este autoarea c\u00e2torva piese de teatru publicate \u00een volume colective (<em>Scheletul de pas\u0103re<\/em>, regizat de Vlaicu Golcea la Teatrul Postna\u021bional Interfonic \u0219i nominalizat la Premiul pentru Dramaturgie \u201eTam\u00e1si \u00c1ron\u201d; <em>Semnul<\/em>; <em>Aripa fr\u00e2nt\u0103 a libelulei<\/em>), a romanului <em>Dac\u0103 exist\u0103 o voce<\/em>, precum \u0219i a mai multor poezii, povestiri \u0219i eseuri. A realizat c\u00e2teva scurtmetraje independente (Imperfect circles, MATCH, Prenaissance, The Birth of an Idea, A trebuit s\u0103 amanetez diamantul etc.), selectate la diverse festivaluri. \u00cen 2021, a absolvit Teatrologia la Facultatea de Teatru \u0219i Film, Universitatea Babe\u0219-Bolyai, iar \u00een 2024, masteratul de cercetare \u00een studii culturale (\u201eSocietate, Multimedia, Spectacol\u201d) la Centrul de Excelen\u021b\u0103 \u00een Studiul Imaginii, Universitatea din Bucure\u0219ti.<\/p>\n<p><strong><em>Ultimul drum<\/em><\/strong><strong>\u00a0<\/strong>de Sever B\u00e2rzan<\/p>\n<p><em><i>Ultimul drum<\/i><\/em>\u00a0este povestea \u00eent\u00e2lnirii dintre Mitic\u0103, un mecanic de metrou, aflat \u00een pragul pension\u0103rii \u0219i Florentin, un t\u00e2n\u0103r inspector tehnic al Metrorex, \u00een cabina de conducere a unui vagon de tip IVA (\u00eentreprinderea de vagoane Arad) fabricat \u00een anii \u201970.<\/p>\n<p>Textul aduce \u00een prim plan, prin intermediul dialogului dintre cele dou\u0103 personaje, o dezbatere privind procesul de modernizare al mijloacelor de transport subteran, din dou\u0103 perspective diferite, respectiv cea plin\u0103 de nostalgie, de viziuni \u0219i de valori conservatoare a lui Mitic\u0103 \u0219i cea orientat\u0103 c\u0103tre nou, digital \u0219i comoditate a lui Florentin.<\/p>\n<p>Intriga este declan\u0219at\u0103 de vestea c\u0103 aceast\u0103 c\u0103l\u0103torie pe care cei doi o fac \u00eempreun\u0103, este cel mai probabil \u0219i ultima, pentru garnitura de metrou condus\u0103 de Mitic\u0103 \u00een ultimele 3 decenii, iar finalul este dominat de o r\u0103sturnare de situa\u021bie care invit\u0103 spectatorul la introspec\u021bie \u0219i la o analiz\u0103 mai aprofundat\u0103 a propriilor concluzii.<\/p>\n<p>\u2026\u2026\u2026\u2026\u2026<\/p>\n<p><strong><b>Andrei Sever B\u00e2rzan<\/b><\/strong>\u00a0(n. 1988) este actor, dramaturg, sound designer \u0219i improvizator. N\u0103scut \u00een Bucure\u0219ti, a absolvit Facultatea de Actorie, sec\u021bia Artele spectacolului din cadrul UNATC, promo\u021bia 2010. De-a lungul carierei a colaborat at\u00e2t \u00een calitate de actor c\u00e2t \u0219i de sound designer, cu regizori precum Bogdan Georgescu, Ioana P\u0103un, David Schwartz, Matei Lucaci Grunberg, Andrei Hu\u021buleac, Alex Bogdan. Cu o parte dintre ace\u0219tia a colaborat \u0219i \u00een calitate de dramaturg. Primul text montat (r:Dora B\u00e2rzan) este <em>Radikal<\/em>, \u00een 2015, la Green Hours. A urmat <em>Cui i-e fric\u0103 de Mitic\u0103<\/em>\u00a0sau <em>Aten\u021bie se taie apa!<\/em>\u00a0(r: Matei Lucaci Grunberg) \u00een 2017, tot la Green Hours. \u00cen 2019, al treilea text montat (r:Sever \u0219i Dora B\u00e2rzan)<em>\u00a0\u0218i n-au tr\u0103it ferici\u021bi p\u00e2n\u0103 la ad\u00e2nci b\u0103tr\u00e2ne\u021bi<\/em>\u00a0s-a bucurat \u0219i de o ecranizare sub form\u0103 de spectacol de teatru tv \u0219i a intrat \u00een Arhiva de aur a TVR. \u00cen 2021 este co-dramaturg, al\u0103turi de Matei Lucaci Grunberg, al textului <em>Am f\u0103cut ce s-a putut<\/em>, text montat de cel din urm\u0103 \u00een cadrul atelierelor Ideo Ideis. \u00centre 2022 \u0219i 2023 este co-dramaturg, al\u0103turi de acela\u0219i Matei Lucaci Grunberg, al textelor <em>Uzina Arti\u0219tilor<\/em>, <em>Scene din via\u021ba Mariei Filotti <\/em>\u0219i<em>\u00a0D ale Carnavalului &#8211; un text cu problem\u0103<\/em>, montate de cel din urm\u0103 la Teatrul Municipal Bacovia, Teatrul \u201eMaria Filotti\u201d Br\u0103ila \u0219i Centrul Cultural Lumina.<\/p>\n<p><strong><em>Ai voie s\u0103 urli<\/em><\/strong><strong>\u00a0<\/strong>de Teodora Savu<\/p>\n<p>Aflat\u0103 \u00een finala Campionatului European de Taekwondo, o sportiv\u0103 \u00ee\u0219i disec\u0103 cariera, ac\u021biunile \u0219i motivele care stau la baza obsesiei sale pentru c\u00e2\u0219tig \u00een toate aspectele vie\u021bii, \u00een detrimentul familiei, sentimentului pur de iubire sau lini\u0219tii interioare. Un scurt portret al vie\u021bii ca goan\u0103 ne\u00eentrerupt\u0103 dup\u0103 succes.<\/p>\n<p>\u2026\u2026\u2026\u2026\u2026<\/p>\n<p><strong><b>Teodora Savu<\/b><\/strong>\u00a0este regizor de teatru \u0219i dramaturg. A \u00eenceput s\u0103 scrie dup\u0103 ce a absolvit Facultatea de Regie din cadrul UNATC. Prima ei pies\u0103, <em>Menada<\/em>, a c\u00e2\u0219tigat concursul de dramaturgie din cadrul Bac\u0103u Fest Monodrame \u00een anul 2022 \u0219i s-a num\u0103rat printre premian\u021bii concursului de dramaturgie OFF-STAGE #1, organizat de Apollo111, \u015fi ai Concursului Na\u021bional de Dramaturgie organizat de Uniunea Scriitorilor din Rom\u00e2nia. \u0218i-a montat cel de-al doilea text, <em>Umami<\/em>, la Asocia\u021bia Hearth, iar cea de-a treia pies\u0103, <em>I will set this plane on fire<\/em>, i-a adus cel de-al doilea trofeu Bac\u0103u Fest Monodrame, \u00een 2024.<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>Replace m<\/em><\/strong><strong>e <\/strong>de Alma Andreescu<\/p>\n<p><em><i>Replace me<\/i><\/em>\u00a0\u2013 o desp\u0103r\u021bire inedit\u0103 \u00een foaierul unui teatru, \u00eenainte de spectacol. Vlad \u00eent\u00e2rzie la (probabil ultima) \u00eent\u00e2lnire cu Lili, dar vine cu o propunere care sper\u0103 s\u0103 aplaneze durerea p\u0103r\u0103sirii. \u00cel aduce cu el pe Silviu, un b\u0103iat foarte simpatic \u0219i poate mai potrivit pentru Lili?<\/p>\n<p>\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/p>\n<p><strong>Alma Andreescu.<\/strong>\u00a0Dup\u0103 studii \u00een film, radio \u0219i TV \u00een Canterbury, UK \u0219i participarea la crea\u021bia unui festival de film interna\u021bional \u00een Londra, s-a \u00eentors \u00een Rom\u00e2nia \u0219i a \u00eenceput colaborarea cu Inversee Media, cu care a f\u0103cut at\u00e2t produc\u021bii independente de film, c\u00e2t \u0219i video-uri comerciale.\u00a0<em>Must Love Kubrick, <\/em>\u00a0scurtmetrajul scris \u0219i regizat de aceasta, coproduc\u021bie cu UK, a fost selectat la TIFF 2018, Batumi \u00een Georgia \u0219i \u00een Oaxaca \u00een Mexic, a f\u0103cut parte din Cannes Short Film Corner \u0219i mai apoi distribuit interna\u021bional de ShortsTV. A mai fost implicat\u0103 ca traduc\u0103tor \u0219i\/sau asistent \u00een produc\u021bii ale Teatrului Nottara, \u00een special cu asisten\u021b\u0103 la spectacolul <em>8 Femei<\/em>\u00a0de Robert Thomas, \u00een regia lui Andreas Merz. Semneaz\u0103 regia <em>Leg\u0103turile Klarei<\/em>\u00a0de Dea Loher, cu care a ob\u021binut finan\u021bare AFCN \u00een parteneriat cu Institutul Goethe \u0219i cu care a debutat la Teatrul Apropo Bucure\u0219ti \u00een 2023. \u00cen prezent este operator de camer\u0103 pentru proiec\u021biile live din spectacolul Gianinei C\u0103rbunariu la Teatrul Nottara (<em>Stela<\/em>\u00a0dup\u0103 Simona Go\u0219u) \u0219i lucreaz\u0103 la dramatizarea romanului <em>Lapte Negru<\/em>\u00a0de Elif Shafak, \u00een cadrul concursului de dramaturgie al Teatrului Nottara, unde a fost selectat\u0103. Student\u0103 la Master Scriere Dramatic\u0103 UNATC, anul I.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":67567,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11269,11273],"tags":[],"coauthors":[36],"class_list":["post-67428","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selectia-fnt-34","category-21-oct"],"acf":[],"_links":{"self":[{"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/posts\/67428"}],"collection":[{"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/comments?post=67428"}],"version-history":[{"count":6,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/posts\/67428\/revisions"}],"predecessor-version":[{"id":71957,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/posts\/67428\/revisions\/71957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/media\/67567"}],"wp:attachment":[{"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/media?parent=67428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/categories?post=67428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/tags?post=67428"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fnt.ro\/2024\/wp-json\/wp\/v2\/coauthors?post=67428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}