17 October | 18:00 – “I.L. Caragiale” National Theatre, Bucharest, Studio Hall

The story of a little girl turned into the fate of a country—a performance that heals emotional wounds and gives you the strength to love.
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After: Tatiana Țîbuleac
Dramatised by: Mariana Onceanu
Cast:
Lastocika: Diana Decuseară-Onică
Lastocika as a child, Tamara: Corina Rotaru
Tamara Pavlovna: Angela Ciobanu
Zahar Antonovici: Anatol Durbală
Shurotchka: Mihaela Strâmbeanu
Bella Isaakovna: Anișoara Bunescu
Katiusha, Nurse: Olesea Sveclă
Raia, Varea: Tatiana Lazăr
Tonea: Doriana Zubcu-Marginean
Colonel: Ion Mocanu
Liontchick: Alexandru Pleșca
Maritchica, Greta: Rusanda Radvan
Pavlik: Petru Marginean
Oxanka: Draga-Dumitrița Drumi
Dmitri: Vlad Ropot
Radu: Igor Babiac
Directed by: Petru Hadârcă
Set design by: Adrian Suruceanu
Costume designer: Stela Verebceanu
Stage movement: Oleg Mardari
Original music: Valentin Lindo Strishkov
Video projections: Radu Zaporojan
Produced by: „Mihai Eminescu” National Theatre, Chișinău
Recommended age: 14+
Duration: 2h 30min (no interval)
In Romanian with English surtitles
The novel is written in the first person, from the perspective of the main character, a young female obstetrician working at a clinic in Bucharest. She attempts to piece together her life from the fragments of memory that come to her in disorder.
The play centers on Lastochka (Swallow), a seven-year-old orphan adopted from a rural orphanage by a Russian woman. The girl is brought to Chișinău and raised in the courtyard of a Soviet-era apartment block, an environment that becomes both her school and her social world. The courtyard is a microcosm of society: children and young people, the elderly, the defeated, the suffering, the angry, and the resigned. Although the orphan is entirely subservient to the woman who raises her, she resists attending a Russian school, which would have guaranteed her social advancement and superiority, even though Russian eventually becomes the language she speaks better than her mother tongue.
Lastochka’s loneliness within this human collective, paired with the unhappiness of the adult woman she grows into, reflects the cyclical impasse of an individual trapped in repetition: social decline, failure, and unfulfilled potential characteristic of the post-imperial human condition. The fragility of a glass world that never became crystal, the shattered destinies of individuals, the human and economic crises, and the collapse of values themselves become characters on stage.
Photos: Ian Onică





