class="">The Glass Garden

The Glass Garden

17 October | 18:00 – “I.L. Caragiale” National Theatre, Bucharest,  Studio Hall

The story of a little girl turned into the fate of a country—a performance that heals emotional wounds and gives you the strength to love.

SOLD OUT

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After: Tatiana Țîbuleac

Dramatised by: Mariana Onceanu

Cast:

Lastocika: Diana Decuseară-Onică

Lastocika as a child, Tamara: Corina Rotaru

Tamara Pavlovna: Angela Ciobanu

Zahar Antonovici: Anatol Durbală

Shurotchka: Mihaela Strâmbeanu

Bella Isaakovna: Anișoara Bunescu

Katiusha, Nurse: Olesea Sveclă

Raia, Varea: Tatiana Lazăr

Tonea: Doriana Zubcu-Marginean

Colonel: Ion Mocanu

Liontchick: Alexandru Pleșca

Maritchica, Greta: Rusanda Radvan

Pavlik: Petru Marginean

Oxanka: Draga-Dumitrița Drumi

Dmitri: Vlad Ropot

Radu: Igor Babiac

Directed by: Petru Hadârcă

Set design by: Adrian Suruceanu

Costume designer: Stela Verebceanu

Stage movement: Oleg Mardari

Original music: Valentin Lindo Strishkov

Video projections: Radu Zaporojan

Produced by: „Mihai Eminescu” National Theatre, Chișinău

Recommended age: 14+

Duration: 2h 30min (no interval)

In Romanian with English surtitles

The novel is written in the first person, from the perspective of the main character, a young female obstetrician working at a clinic in Bucharest. She attempts to piece together her life from the fragments of memory that come to her in disorder.

The play centers on Lastochka (Swallow), a seven-year-old orphan adopted from a rural orphanage by a Russian woman. The girl is brought to Chișinău and raised in the courtyard of a Soviet-era apartment block, an environment that becomes both her school and her social world. The courtyard is a microcosm of society: children and young people, the elderly, the defeated, the suffering, the angry, and the resigned. Although the orphan is entirely subservient to the woman who raises her, she resists attending a Russian school, which would have guaranteed her social advancement and superiority, even though Russian eventually becomes the language she speaks better than her mother tongue.

Lastochka’s loneliness within this human collective, paired with the unhappiness of the adult woman she grows into, reflects the cyclical impasse of an individual trapped in repetition: social decline, failure, and unfulfilled potential characteristic of the post-imperial human condition. The fragility of a glass world that never became crystal, the shattered destinies of individuals, the human and economic crises, and the collapse of values themselves become characters on stage.

Photos: Ian Onică